Andy Kellman of AllMusic called the score "rife with tension", describing Holkenborg's "thunderous sounds – battering drums, screaming guitars, urgent strings and horns, all physical and skillfully orchestrated – to match the intense action." Jørn Tillnes of Soundtrack Geek praised the soundtrack, writing, "It's rare when a 2+ hour score feels short, but in this case, I could easily listen to it for many hours more." Tillnes added, "The world needs composers like Junkie XL, someone who has the guts to go all out. The musical score has received generally positive reviews.
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"Once they saw rough cuts of their scenes with the music that I did, they got a whole different idea of how they should have handled the ADR." Reception Professional ratings Review scores "I know that George played the music to the actors when they came in to do the ADR," said Holkenborg. The score was later played for the film's actors during ADR sessions to gain a musical awareness of the film. He's got this really wonderful tone, so we added some guitars." "I basically played everything myself except for the strings and the brass that we recorded as a section in Sydney," said Holkenborg "I worked with Nick Zinner, the guitarist from the Yeah Yeah Yeahs on a couple of cues. Recorded at Trackdown Studios in Sydney, a majority of the score was performed by Holkenborg himself. "There was so much rich material written then and George and I wondered why more of that wasn’t being used in film scores today." Holkenborg also drew inspiration from the rock opera genre, utilizing hundreds of drums and constructing electric guitar-driven themes. "One of my favorite time periods in film scoring is the 1940s and 1950s and in the early 60s during the golden days of Bernard Herrmann and the start of Ennio Morricone," said Holkenborg. Similar to Brian May, who composed the scores to Mad Max and Mad Max 2, Holkenborg was inspired largely by the work of Bernard Herrmann. "When you're so early in the game, you have so much room of experimentation." "I got in August of 2013 and we until August 2014," said Holkenborg. Because of Holkenborg's work on 300: Rise of an Empire and his on-the-spot ideas for Mad Max: Fury Road, Miller hired him, and he immediately began work on writing the film's themes. Senior Vice President Darren Higman, Holkenborg flew to Sydney where he viewed a three-hour workprint of the film and met with director George Miller. Junkie XL would be composing the film's music. In October 2013, it was officially announced that Tom Holkenborg a.k.a. Since Mad Max: Fury Road experienced a lengthy development, multiple composers were attached to the film at various times including John Powell and Marco Beltrami.
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